Strict Sunday observance is less and less common among Christians in the West, and Sunday closing laws–although the US Supreme Court famously upheld their constitutionality in McGowan v. Maryland (1961)–have fallen into disuse, in those jurisdictions where they haven’t been repealed. As Robert Louis Wilken once said, the only thing that currently distinguishes Sunday from other days of the week is that the malls open a little later. At one time, though, Sundays were a day of observance, and the laws reflected that fact.
A new book from Eerdmans, A Brief History of Sunday: From the New Testament to the New Creation, by Justo González, offers a history of Christians’ Sunday observance and of laws that date back to Constantine, and reflects on current practice in the West and beyond. Here’s the description from the Eerdmans website:
In this accessible historical overview of Sunday, noted scholar Justo González tells the story of how and why Christians have worshiped on Sunday from the earliest days of the church to the present.
After discussing the views and practices relating to Sunday in the ancient church, González turns to Constantine and how his policies affected Sunday observances. He then recounts the long process, beginning in the Middle Ages and culminating with Puritanism, whereby Christians came to think of and strictly observe Sunday as the Sabbath. Finally, González looks at the current state of things, exploring especially how the explosive growth of the church in the Majority World has affected the observance of Sunday worldwide.
Readers of this book will rediscover the joy and excitement of Sunday as early Christians celebrated it and will find fresh, inspiring perspectives on Sunday amid our current culture of indifference and even hostility to Christianity.
In this controversial bestseller, Rod Dreher calls on American Christians to prepare for the coming Dark Age by embracing an ancient Christian way of life.
simplistic understanding of the international and interreligious interactions currently taking place. This edited collection brings these national and religious narratives into conversation with each other, helping readers to formulate a more sophisticated comprehension of the social and cultural factors involved in the tolerance and intolerance that has taken place in these areas, and continues today.
Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture is the first collection of its kind on this subject. The volume brings together a range of original essays that address different aspects of the role and presence of Jews and Jewishness in British film and television from the interwar period to the present. It constructs a historical overview of the Jewish contribution to British film and television, which has not always been sufficiently acknowledged. Each chapter presents a case study reflective of the specific Jewish experience as well as its particularly British context, with cultural representations of how Jews responded to events from the 1930s and ’40s, including World War II, the Holocaust, and a legacy of antisemitism, through to the new millennium.
In May, the University of British Columbia released
Intriguing dreams, improbable myths, fanciful genealogies, and suspect etymologies. These were all key elements of the historical texts composed by scholars and bureaucrats on the peripheries of Islamic empires between the tenth and fifteenth centuries. But how are historians to interpret such narratives? And what can these more literary histories tell us about the people who wrote them and the times in which they lived? In this book, Mimi Hanaoka offers an innovative, interdisciplinary method of approaching these sorts of local histories from the Persianate world. By paying attention to the purpose and intention behind a text’s creation, her book highlights the preoccupation with authority to rule and legitimacy within disparate regional, provincial, ethnic, sectarian, ideological and professional communities. By reading these texts in such a way, Hanaoka transforms the literary patterns of these fantastic histories into rich sources of information about identity, rhetoric, authority, legitimacy, and centre-periphery relations.