Reflections from the City of God: On the Miseries of Just War

I am blessed to be on sabbatical this semester. In addition to beginning several City of Mennew writing projects, I thought it might be good to take on some meaty reading projects. One of these projects will be to read through St. Augustine’s City of God and to become familiar with some of the secondary literature related specifically to his political thought (the project is not purely a private one–future students in my spring Professional Responsibility course, take note!). In connection with that project, I hope to post a weekly reflection from the City of God that is relevant to some law and religion issue of current moment.

I’m confident that I will say nothing original about Augustine’s political thought. Indeed, I am sure that many readers of this blog will know much more about Augustine than I will learn in these few months and well beyond that. But because I have been enjoying greatly what I have read so far, and because what I have read relates in various ways to many of the questions we consider at the Center for Law and Religion, and because it may be a pleasure for readers to see some of Augustine’s words again before their eyes (and a pleasure for me to re-write them), and simply for the joy that comes in replowing well-tilled fields, I thought to give it a try. Those of our readers who are Augustine scholars or otherwise knowledgeable: please let me know in the comments what secondary literature I ought to be reading. I am reading the Marcus Dods translation (would that I could read it in Latin, but as Dods–writing in 1871–said, “[T]here are not a great many men nowadays  who will read a work in Latin of twenty-two books”).

Here is a passage from of the famous Book XIX on the miseries of war, including of just war:

But the imperial city has endeavored to impose on subject nations not only her yoke, but her language, as a bond of peace, so that interpreters, far from being scarce, are numberless. This is true; but how many great wars, how much slaughter and bloodshed, have provided this unity! And though these are past, the end of these miseries has not yet come. For though there have never been wanting, nor are yet wanting, hostile nations beyond the empire, against whom wars have been and are waged, yet, supposing there were no such nations, the very extent of the empire itself has produced wars of a more obnoxious description–social and civil wars–and with these the whole race has been agitated, either by the actual conflict or the fear of a renewed outbreak. If I attempted to give an adequate description of these manifold disasters, these stern and lasting necessities, though I am quite unequal to the task, what limit could I set? But, say they, the wise man will wage just wars. As if he would not rather lament the necessity of just wars, if he remembers that he is a man; for if they were not just he would not wage them, and would therefore be delivered from all wars. For it is the wrongdoing of the opposing party which compels the wise man to wage just wars; and this wrongdoing, even though it gave rise to no war, would still be matter of grief to man because it is man’s wrongdoing. Let everyone, then, who thinks with pain on all these great evils, so horrible, so ruthless, acknowledge that this is misery. And if anyone either endures or thinks of them without mental pain, this is a more miserable plight still, for he thinks himself happy because he has lost human feeling.

One striking feature of this paragraph is the ubiquity of misery in all matters related to war. The misery not only of the initial wrongdoing that leads to war, and not only of war itself, but also of the waging of just war in response to (in fact, ‘compelled’ by) the existence of miserably wrongful conduct.

Roy, “Hinduism and the Ethics of Warfare in South Asia”

Here’s something at the intersection of religion and statecraft about the Hindu tradition of the philosophy of war (compare, e.g., just war theory in the Catholic tradition): Hinduism and the Ethics of Warfare in South Asia: From Antiquity to the Present (CUP 2012) by Kaushik Roy (Jadavpur University).  The publisher’s description follows.

This book challenges the view, common among Western scholars, that precolonial India lacked a tradition of military philosophy. It traces the evolution of theories of warfare in India from the dawn of civilization, focusing on the debate between Dharmayuddha (Just War) and Kutayuddha (Unjust War) within Hindu philosophy. This debate centers around four questions: What is war? What justifies it? How should it be waged? And what are its potential repercussions? This body of literature provides evidence of the historical evolution of strategic thought in the Indian subcontinent that has heretofore been neglected by modern historians. Further, it provides a counterpoint to scholarship in political science that engages solely with Western theories in its analysis of independent India’s philosophy of warfare. Ultimately, a better understanding of the legacy of ancient India’s strategic theorizing will enable more accurate analysis of modern India’s military and nuclear policies.

Jortner, “The Gods of Prophetstown”

An intriguing historical work about the confrontation between William Henry Harrison (before he was President) and the Shawnee, emphasizing the religious quality of the battle for supremacy: The Gods of Prophetstown: The Battle of Tippecanoe and the Holy War for the American Frontier (OUP 2011), by historian Adam Jortner (Auburn).  The publisher’s description follows:

It began with an eclipse. In 1806, the Shawnee leader Tenskwatawa (“The Open Door”) declared himself to be in direct contact with the Master of Life, and therefore, the supreme religious authority for all Native Americans. Those who disbelieved him, he warned, “would see darkness come over the sun.” William Henry Harrison, governor of the Indiana Territory and future American president, scoffed at Tenskwatawa. If he was truly a prophet, Harrison taunted, let him perform a miracle. And Tenskwatawa did just that, making the sun go dark at midday.

In The Gods of Prophetstown, Adam Jortner provides a gripping account of the conflict between Tenskwatawa and Harrison, who finally collided in 1811 at a place called Tippecanoe. Though largely forgotten today, their rivalry determined the future of westward expansion and shaped the War of 1812. Jortner weaves together dual biographies of the opposing leaders. In the five years between the eclipse and the battle, Tenskwatawa used his spiritual leadership to forge a political pseudo-state with his brother Tecumseh. Harrison, meanwhile, built a power base in Indiana, rigging elections and maneuvering for higher position. Rejecting received wisdom, Jortner sees nothing as preordained-Native Americans were not inexorably falling toward dispossession and destruction. Deeply rooting his account in a generation of scholarship that has revolutionized Indian history, Jortner places the religious dimension of the struggle at the fore, recreating the spiritual landscapes trod by each side. The climactic battle, he writes, was as much a clash of gods as of men.

Written with profound insight and narrative verve, The Gods of Prophetstown recaptures a forgotten turning point in American history in time for the 200th anniversary of the Battle of Tippecanoe.

Messiaen’s Quartet For the End of Time

Perhaps not quite strictly law and religion-related, but my son Thomas and I went to a concert of Olivier Messiaen’s “Quartet for the End of Time” this afternoon.  Messiaen is a wonderful 20th century French composer who created the quartet in 1941 as a POW in a German camp.  Messiaen met a clarinettist, a violinist, and a cellist in the camp; the only guy who had his instrument was the clarinettist, but they managed to get hold of the other instruments and debut the piece in the prison. 

The quartet, in 8 movements, is deeply informed by Messiaen’s abiding Catholicism.  It is “for the end of time” in two senses.  Messiaen takes the Book of Revelation as his inspiration.  His point of departure is Chapter 10, where the seventh angel descends and announces that “time shall be no longer” — the end of Time as the end of past and future and the beginning of eternity.  Messiaen’s time signatures are also iconoclastic in the piece; in fact, sometimes there is no definite rhythm at all (I don’t understand how the players were able to be in unison), and it was in this sense too that Messiaen wanted to convey the end of the usual 3/4 and 4/4 measured time in Western classical music.  Time is characterized throughout the piece as sad and weary, to be contrasted with the lively music of heaven.  The piece was challenging, but just great. 

Then, Thomas and I came home to watch our Patriots lose, as Time expired.  — MOD